My practice explores what happens when authorship, intention, and symbolic meaning are stripped away. Through video, audio, and physical installation, I work with found materials and reshape them through processes that reject narrative and resist categorization. The goal is not to communicate a message, but to create an environment where instinct, impulse, and perception take the lead.

In my installations, I appropriate found physical materials and arrange them not with a planned concept, but through an instinctual process of selection and placement. The resulting spaces are interior settings that feel subconscious, pulling from the primal visual languages of interior design, sculpture, and fashion without ever fully belonging to any of them. They remain unfinished, unclaimed, and uninterpretable.

Across media, I let systems fail. I datamosh video until image detaches from source. I manipulate sound into forms that resist genre, mood, or linguistic coherence. In this refusal of structure, authorship dissolves, and the work becomes a site of open perception rather than controlled meaning. The result is a kind of anti-design, where abstraction becomes a tool for undoing ownership and individuality, and where the work can echo more organic, collective, and environmental systems of creation.