As a physical embodiment of identity within the body of work, the sculpture stands out as a singular representation where the figure's head is prominently featured. In a series entrenched in the exploration of the distortion or even absence of identity, the sculpture's exaggeratedly large head serves as a poignant reminder. It underscores the notion that our identity is an ever-present aspect of ourselves, incapable of being suspended or shielded from the consequences of our actions, regardless of the setting in which they transpire. This comically oversized head serves as a symbol of the permanence of our identity, continuously adapting and evolving in response to our choices and experiences.

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THE COLD ON MY BATHROOM FLOOR HURTS MY FEET